Before continuing in their series considering the relation between artists and their gardens, Tom and Sheila discuss the art of Chuck Close, who died last week. They turn then to Emil Nolde, Charles Burchfield, and Odilon Redon.
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Sheila and Tom visit the Smithsonian American Art Museum – now-open – to see the new exhibit of documentary photography from East Baltimore in the late 1970’s: Welcome Home: Portrait of East Baltimore. Three women, Linda Rich, Joan Clark Netherwood and Elinor Cahn, were welcomed into the churches, homes, and lives of the residents, in neighborhoods of predominantly immigrant communities from Eastern Europe.
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In a reprise of a popular episode from 2017, Sheila discusses the origin, history and use of pigments and other paint materials. Guest: Peter Blake
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Continuing to explore the theme of Gardens, Sheila and Tom explore how painters created gardens and painted them. The experience of the gardens, passionately created and tended, and the experience of viewing the painted gardens, now in museums, are related.
Claude Monet, Stanley Spencer, and Gustave Klimt are the gardener-painters discussed, with a digression on the jaw-dropping prices set for Hunter Biden’s novice works, and another brief digression on Giorgio Morandi.
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The East Wing of the National Gallery of Art in Washington DC has re-opened, and we visit the exhibitions of Lynda Benglis and Sarah Cain.
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In honor of Pride Week, we discuss the paintings, career, and struggles of the American Modernist painter, Marsden Hartley (1877-1943). We also examine Transcendentalism – the wild spiritual and artistic gift from Ralph Waldo Emerson – and its importance to Hartley’s life and to American art in general.
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Art as Experience continues her exploration of the links between art, society, and gardens with a look at the tiny gardens that can be walked among in the cooperative community of Greenbelt MD, set up as part of Franklin and Eleanor Roosevelt’s New Deal. The backstory of Greenbelt is a mirror of the political issues dividing us today. Poems by Alice Oswald, Stanley Kunitz, Emily Dickinson, and D.H. Lawrence.
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In a week where Sheila Blake is preparing her exhibition at the Foundry Gallery in Washington DC, we are updating a recording of an earlier show from May 2019, in which Tom and Sheila analyze the connections between gardens and art, with a special visit to the Dumbarton Oaks Gardens in Washington.
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We visit again the great new modernist museum in Potomac Maryland, the Glenstone, and discuss the current retrospective exhibition of Faith Ringgold.
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We visit the Phillips Collection, this country’s first modern art museum, which has reopened for its 100th anniversary with an exhibition highlighting the collection’s great diversity. After a year-long closing due to COVID precautions, the museum in Washington DC has reopened to visitors. In addition to great modernist masters Cezanne, Bonnard, De Kooning, Rothko, etc., the exhibition showcases new acquisitions, highlighting works from their show, cut short last year, titled Riffs and Relations, which explored the work of African American artists in the Modernist tradition.
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